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		<title>Comments on: Guest Article: Just Press &#8220;Enter&#8221;: Technology and the Percussionist</title>
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			<title>By: Andy</title>
			<link>http://www.soundpostnews.com/2009/10/15/guest-article-just-press-enter-technology-and-the-percussionist/comment-page-1/#comment-223</link>
			<dc:creator>Andy</dc:creator>
			<pubDate>Wed, 23 Dec 2009 16:29:56 +0000</pubDate>
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			<description>R. Oettle, I did record airplane sounds. I live under the landing pattern for ICT airport and I spent multiple hours recording planes on final approach, as well as going to a small airport and recording the engines of Cessna 150&#039;s and 172&#039;s. I wish I could have gotten a clean take on a King Air, but the sound bites I had I used with the help of pro-tools to make a loop. Then I wired up a switch box that operated two large warehouse fans. When the part for the airplane came up, I simply ran the sound clip and engaged the fans to create a real feel to it. It through the audience off, they actually thought the big fans were making the noise because I had my PA speakers hidden.</description>
			<content:encoded><![CDATA[<p>R. Oettle,</p><p>I did record airplane sounds. I live under the landing pattern for ICT airport and I spent multiple hours recording planes on final approach, as well as going to a small airport and recording the engines of Cessna 150&#8242;s and 172&#8242;s. I wish I could have gotten a clean take on a King Air, but the sound bites I had I used with the help of pro-tools to make a loop. Then I wired up a switch box that operated two large warehouse fans. When the part for the airplane came up, I simply ran the sound clip and engaged the fans to create a real feel to it. It through the audience off, they actually thought the big fans were making the noise because I had my PA speakers hidden.</p>]]></content:encoded>
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			<title>By: john cassady</title>
			<link>http://www.soundpostnews.com/2009/10/15/guest-article-just-press-enter-technology-and-the-percussionist/comment-page-1/#comment-101</link>
			<dc:creator>john cassady</dc:creator>
			<pubDate>Sun, 08 Nov 2009 11:54:44 +0000</pubDate>
			<guid isPermaLink="false">http://www.soundpostnews.com/?p=646#comment-101</guid>
			<description>yes. there is something about &quot;hands on&quot; that produces a different more direct final image sound whatever. people making marks.</description>
			<content:encoded><![CDATA[<p>yes. there is something about &#8220;hands on&#8221; that produces a different more direct final image sound whatever.<br />people making marks.</p>]]></content:encoded>
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			<title>By: Aaron</title>
			<link>http://www.soundpostnews.com/2009/10/15/guest-article-just-press-enter-technology-and-the-percussionist/comment-page-1/#comment-84</link>
			<dc:creator>Aaron</dc:creator>
			<pubDate>Sun, 01 Nov 2009 13:39:22 +0000</pubDate>
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			<description>Great article. This applies to all forms of creatuve realms like design too. Computers are easy to use but they take a lot of experimentation out of the process. We lose so many good ideas because of it. It&#039;s important to get back to your roots. I mean the innovation of instruments starts with the experimentation you talk about. Without trying something new no new instruments will be born.</description>
			<content:encoded><![CDATA[<p>Great article. This applies to all forms of creatuve realms like design too. Computers are easy to use but they take a lot of experimentation out of the process. We lose so many good ideas because of it. It&#8217;s important to get back to your roots. I mean the innovation of instruments starts with the experimentation you talk about. Without trying something new no new instruments will be born.</p>]]></content:encoded>
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			<title>By: Daniel</title>
			<link>http://www.soundpostnews.com/2009/10/15/guest-article-just-press-enter-technology-and-the-percussionist/comment-page-1/#comment-67</link>
			<dc:creator>Daniel</dc:creator>
			<pubDate>Fri, 16 Oct 2009 03:18:35 +0000</pubDate>
			<guid isPermaLink="false">http://www.soundpostnews.com/?p=646#comment-67</guid>
			<description>Unfortunately, we spent so much of our time thinking big, that we missed an easier solution. By then, it was just too late.</description>
			<content:encoded><![CDATA[<p>Unfortunately, we spent so much of our time thinking big, that we missed an easier solution. By then, it was just too late.</p>]]></content:encoded>
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			<title>By: Daniel</title>
			<link>http://www.soundpostnews.com/2009/10/15/guest-article-just-press-enter-technology-and-the-percussionist/comment-page-1/#comment-66</link>
			<dc:creator>Daniel</dc:creator>
			<pubDate>Thu, 15 Oct 2009 20:20:26 +0000</pubDate>
			<guid isPermaLink="false">http://www.soundpostnews.com/?p=646#comment-66</guid>
			<description>That option was discussed, but our concert was very close and there wasn&#039;t enough time to make it happen.</description>
			<content:encoded><![CDATA[<p>That option was discussed, but our concert was very close and there wasn&#8217;t enough time to make it happen.</p>]]></content:encoded>
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			<title>By: R. Oettle</title>
			<link>http://www.soundpostnews.com/2009/10/15/guest-article-just-press-enter-technology-and-the-percussionist/comment-page-1/#comment-65</link>
			<dc:creator>R. Oettle</dc:creator>
			<pubDate>Thu, 15 Oct 2009 18:24:07 +0000</pubDate>
			<guid isPermaLink="false">http://www.soundpostnews.com/?p=646#comment-65</guid>
			<description>Dan, You&#039;ve got me wondering why, for the Ballet Mécanique by George Antheil, you didn&#039;t consider recording the sound of running engines and play that back. Why would that be any less authentic than synthesizing the sound?</description>
			<content:encoded><![CDATA[<p>Dan,</p><p>You&#8217;ve got me wondering why, for the Ballet Mécanique by George Antheil, you didn&#8217;t consider recording the sound of running engines and play that back. Why would that be any less authentic than synthesizing the sound?</p>]]></content:encoded>
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