Posts Tagged ‘history’

The New Yorker: Why So Serious?

Let's Put a Smile on that Face

by: Colin

jokerliszt
While concertgoers today might resent those who unknowingly applaud or whisper between movements of a piece, it seems such gaffes have only recently begun to draw frowns. The familiar silent audience who applauds in appropriate places is of relatively new invention. Relative of course to the age of the music which makes up the classical repertoire. As it turns out, classical concerts used to be noisy, social gatherings where aristocrats could mingle and the public could turn bourgeois into a verb.

The September 8th issue of The New Yorker featured the article “Why So Serious?” In it, writer Alex Ross chronicles the history of classical concert tradition.

Ross cites examples from performances at the Paris Opera, and recitals by the pianist credited with creating modern piano performance tradition, Franz Liszt. Ross compares Liszt’s recitals to “The Ed Sullivan Show,” claiming that Liszt would solicit suggestions from the audience for subjects to improvise at the piano. Furthermore, Liszt is said to have modulated not only between tonal centers, but entire pieces. As Ross explains it:
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Researchers Recreate Extinct Instrument

by: Colin

Realize Why No One Plays It Anymore


A group of Scottish researchers helped develop a replica of the Lituus—a musical instrument last known to exist during J.S. Bach’s lifetime.

The Lituus has been virtually extinct since 1736. Not only is Bach’s “O Jesu Christ, meins Lebens Licht” the only known piece that calls for it, but there are no surviving examples of the instrument itself. In an effort to recreate this abandoned musical instrument, the Swiss-based conservatory Schola Cantorum Basiliensis enlisted the help of Scottish PhD student Alistair Braden and a software he wrote intended to improve the design of modern brass instruments. Researchers from the Engineering and Physical Sciences Research Council and the University of Edinburgh, Scotland built a model of the Lituus from criteria provided by the conservatory regarding both the physical and tonal characteristics of the instrument.
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NY Times: Ancient Flute Offers Clues to Musical Past

by: Colin

Predates Band Camp By Thousands of years

The New York Times reported that a flute, at least 35,000 years old, was found in a cave in southwest Germany. The flute was created around the same time as the earliest known sculptures—an indication that the two art forms may have evolved simultaneously. This particular bone flute, archaeologists say, is the most complete they have found, possessing five finger holes. Along with other specimens, this flute suggests music may have been a widespread element of human culture around that time period. Until now, examples of instruments had been too scarce to confirm any suspicion on the matter. The Times speculates about the role of the flute—and music itself at the time—citing German archaeologists who said music “could have contributed to the maintenance of larger social networks, and thereby perhaps have helped facilitate the demographic and territorial expansion of modern humans.” Read the article at nytimes.com.

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