The Metropolitan Opera recently named Italian conductor Fabio Luisi its principal guest conductor—only the second time a conductor has held the title. Although the three year contract is unrelated to James Levine’s recent absences due to illness, Luisi will act as the go-to conductor for any future performances Levine may miss.
Maestro Luisi has periodically conducted at the Met since 2005, and was already scheduled to lead several performances next season. He is currently the chief conductor of the Vienna Symphony Orchestra, and is scheduled to become the music director of the Zurich Opera in 2012. His post as principal guest conductor will both allow him to become more familiar with the company and its orchestra, and act as reassurance for the staff in the event of any further absences. Peter Gelb, The Met’s general manager, acknowledges that while Luisi has the expertise to succeed James Levine, that scenario is not yet a consideration. Neither Gelb, or Luisi have any anticipation of Levine stepping down, and assert that the Met can simply enjoy its newest resident Maestro.
via The New York Times.
Posts Tagged ‘Metropolitan Opera’
Met Names Principal Guest Conductor
New Jersey Symphony Orchestra Gets New Maestro
The New Jersey Symphony Orchestra announced that Jacques Lacombe will succeed Neeme Järvi as music director. The 46 year old French Canadian is joining the organization during a period of frozen wages and a reduced concert schedule with the intent of revitalizing both orchestra and audience.
Lacombe says that in order to invigorate the classical scene a conductor must be inventive with his programming. While his preferences lean towards 19th century repertoire with 20th century classics, Lacombe remains fluid with his vision, saying that he doesn’t “want to be labeled,” and that he is still “discovering things.”
While the Ledger regards Lacombe as “untested,” he has many conducting credits including the Met. Where Jäarvi brought experience and renown, Lacombe will hopefully bring new energy and perspective.
Source: The Star Ledger
A Night At The Met: Verdict – They Still Got It
And Renée Flemming is still beautiful
Most news coming from the Metropolitan Opera these days has not been uplifting. From the boos toward director Luc Bondy after Tosca, to the similar signs of vexation shown to maestro Daniele Gatti after Aida, this native New Yorker is a tad worried that we are developing a penchant for being hard impossible to please. Could this reputation possibly prevent performers from coming to New York? Probably not, since New York is “where dreams are made,” after all. However, I’m afraid we may yet become known as a city full of critics—not the art lovers and appreciators we are. Because I had not yet visited my favorite opera house this season, I splurged and purchased tickets for myself and a musician-colleague to Friday night’s performance of Der Rosenkavalier featuring Renée Fleming.
Perhaps it was the mediocre review given by the New York Times on Tuesday’s opening night, the flowing negativity for the other two productions currently at the venue, or the absence of James Levine, but let’s just say that I was hesitant to purchase last-minute-tickets for the sold out show (thanks to allshows.com for the tickets, but damn you for the 200% inflation without even delivering them to will-call). Upon arriving and immediately ordering champagne with the last of my cash, I took my seat.
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Not So Warm Welcome for Gatti
New York misses Levine
The beginning of Fall has different meanings for everyone. Some love the changing colors, the cooler temperatures, or as is the case with this writer, the exodus of summer tourism from New York City. All kidding aside, the beginning of the concert season for the country’s major orchestras and opera companies is always an interesting sight. Opening night reviews can truly make or break a career season. The introduction of Gustavo Dudamel with the Los Angeles Philharmonic was met with spectacular reviews, much as Alan Gilbert with the New York Philharmonic.
Unfortunately, not all welcomes are quite so warm… View Full Article »
James Levine Out For 3 Weeks
Lost In Sea of Get Well Soon Cards
James Levine, Music Director of the Boston Symphony Orchestra and the Metropolitan Opera, was set to conduct the opening concert at Carnegie Hall this season. However, he will not be seen on a podium for the next three weeks, as Maestro Levine will soon undergo back surgery to repair a herniated disk.
Although Levine will miss some high profile performances, such as the first performance of Tosca with The Met, the operation comes at a time when Mr. Levine had already canceled performances due to extreme back pain. According to his doctors, having the surgery will prevent further damage and hopefully allow him to return to his assorted posts quickly and with renewed vigor. Source: NY Times Music.