Baldwin Dedicated to Classical Music

Colin Oettle — Sun, 20 Dec 2009 02:18:35 +0000

Alec Baldwin loves classical music. According to the NY Times, Baldwin is not only invested in his role as announcer for the New York Philharmonic’s weekly radio broadcasts, but he is also a die-hard classical music fan. Daniel Wakin writes that Baldwin was offered the position after the Phil took notice of his patronage. The NY Phil regularly keeps tabs on its celebrity concert-goers, offering them tickets in exchange for publicity.

The Phil first booked Baldwin as narrator for an “Inside the Music” series in 2008—a program where a work is first explained and then performed. Then, after Baldwin joked that he’d like to quit acting and become a classical music radio presenter, the Phil pounced on his apparent interest and made an offer.

Now, as Baldwin records radio announcements between acting commitments like this winter’s “It’s Complicated” and NBC’s “30 Rock,” he sets his schedule around musical events he refuses to miss. Last May, he contracted time off to see Daniel Barenboim conduct Mahler’s ninth symphony. Baldwin’s interest in classical music began on a soap opera set when he was 24, when a staging director chided him for not recognizing Berlioz’s “March to the Scaffold” from Symphony Fantastique. Now, Baldwin listens to classical everywhere from his home to his car, and has a constantly expanding library of works.

Baldwin prefers mostly romantic composers; he says he likes more “emotive” kinds of music. Some of his favorites include Mahler and Tchaikovsky, having earned his preference by his own standard: music he wants played at his funeral.

Read the full story here.

Classical Newcomer Writes Book On Bach Cello Suites

Colin Oettle — Tue, 01 Dec 2009 03:47:41 +0000

Eric Siblin, a pop music critic whose classical education is wanting at best, shares his take on Bach’s six cello suites in his book “The Cello Suites: J.S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece.” The book is the result of Siblin’s pseudo-obsessive exploration into the six suites, despite an overall unfamiliarity with Bach and classical music in general.

Siblin was inspired by the same Casals recording that brought the suites into the spotlight of cello literature, and he begins the book with an attempt to shed light on what NY Times writer Janet Maslin identifies as the suites’ “elusiveness.” Bach’s intentions are still murky, as the alternate tuning required by some movements suggests the works may not have been written for cello. Or if they were, that the outliers among the suites do not belong in the same collection that modern musicians have come to accept as an indisputable volume.

Delving into the histories of both Bach and Casals, Siblin applies the musicians’ respective political and social environments to his analysis of the cello suites. Still, Siblin’s research was incomplete until he attempted to play the cello himself. While he didn’t acquire the prowess necessary for Bach, Maslin found his writing “entertaining if not exactly new.”

Check out Janet Maslin’s Book Review over at the NY Times.

The Sound Post » NY

Baldwin Dedicated to Classical Music

Classical Newcomer Writes Book On Bach Cello Suites